The Struggle of Jacob and the Angel
by Marc Chagall

Wrestling the Angel: Stories of the writing life

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August 05, 2006

Writing from the Heart

I recently found the Canadian Writers Collective, and the latest is post is by Tricia Dower, called "Summer School, Part 1: Courageous Hearts":

A few weeks ago, I attended the 11th annual summer school of the Victoria School of Writing hoping to get tips on writing more from the heart — something gurus keep telling you to do. “Write your heart out,” says Joyce Carol Oates. My writing can be so objective at times as to seem clinical, I’ve been told. I’m not one for gushing.

I found what I was seeking but not from the workshops on craft. From faculty and student readings, instead, many of them so emotional they caught me off guard.

Dower goes on to talk about Susan Musgrave and Maria Coffey, two women who write deeply and honestly from their pain.

How much of yourself do you reveal in your writing? Are you afraid of putting yourself on the page for everyone to see?

For some reason, writing from the heart has become vital to my process, because that's where the most juicy, interesting material is. I want to move myself to tears, to explore the emotions and experiences that matter to me most. I didn't always write like that: my thesis advisor once described my early stories as "standing stiffly in patent leather shoes." I felt a real shift between writing my first book, which was more objective, and my later stories, which drew on more personal material. Cutting closer to the bone made the stories more moving.

Perhaps I'm something of an exhibitionist, getting a thrill from laying my heart bare. Sometimes I wonder whether I go too far, giving too much of myself away. But I have found that vulnerability in a writer inspires trust in readers, something I learned from Patricia Raybon. If I'm willing to reveal myself, and give others the power to criticize or ridicule me if they choose, that makes them feel safer and more open to what I have to say.

Posted by Alison at August 5, 2006 12:44 PM | This entry posted in: Finding Your Material
Comments

i find sometimes my issue is the oppoeite - that i want to go immediately for the emotion and must remember to create the structure my readers and characters need to flourish in their internal epiphanies. but then perhaps that is how i protect too? the best thing i learned early in my career was that i could make no art if i was keeping any secrets - my own or anyone elses. this has been true in any artistic medium i have attempted. we must be fearless - "exhibitionists" as you say.

Posted by: stacy at August 5, 2006 08:48 PM

Hey, thanks for mentioning my post and the Canadian Writers Collective. I love the image of 'standing stiffly in patent leather shoes.' That must have given you pause!

Tricia Dower

Posted by: Tricia Dower at August 7, 2006 01:51 PM

To follow up (a bit late) on the theme "strange and scary", I encourage you to read Pierre Assouline's (http://passouline.blog.lemonde.fr)very interesting post regarding Monica Ali's book -- if you're up to practicing your French! Because, there's the fears we have while we write, and then there's what happens after the book has come out....

Posted by: Marie-Josée at August 10, 2006 09:48 AM
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Alison Gresik has been crafting her writing life for the last fourteen years. She is the author of Brick and Mortar, a collection of linked stories.

Visit her author blog at www.gresik.ca.

ag_portrait.jpg

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